Every way you've tried to market your music hasn't gotten you a return on your investment.

You've tried things like distribution through TuneCore and CD Baby, hiring publicists, running ads, playing free shows, and even giving your music away for free and you've been doing it for years and you STILL don't make a significant income from your music.

You haven't found a sustainable way to grow your fanbase quickly.

While you've succeeded at getting listeners, followers and plays and you know you can just do organic social media marketing or spend money on ads to get more attention, it's either too time consuming, too expensive, or too draining to sustain, so you've stopped doing it.

You're sad and angry about the fact that you've been in music so long and yet you still have not succeeded to the degree you had hoped you would by now.

You've got tons of original music and recordings, but it doesn't seem to matter how much new music you put out, you just can't get traction.

You're worried that you're never going to figure it out because it's just too hard or the industry is just too messed up.

This isn't your first rodeo and you've already been lied to, scammed, shorted, stonewalled and been taken advantage of countless times as you've tried to climb the totem pole of the music industry.

You're not even sure you want to be involved anymore.

But here's the thing...

If music is your true passion and influencing others with your music is your life's true purpose, you'll never be happy spending a lot of time earning income some other way.

Instead, you'll continue to be sad, angry and frustrated.

All that built-up sadness, anger and frustration is going to take its toll on your relationships and eventually turn you into a lonely person without a lot of friends.

I wound up this way and it destroyed all my romantic relationships and landed me with friends that I didn't like, so I didn't want to hang out with them.

As a result of your sadness, loneliness and frustration, you'll develop addictions that will slowly but surely erode your health.

If that hasn't happened already, it's probably only a matter of time.

Before I had my big awakening, I was constantly binging alcohol, nicotine and caffeine.

I couldn't sleep well and was irritable and snappy all the time.

Musicians are notorious for becoming helpless addicts.

When your health finally tanks because of your addictions, which it will eventually if you don't turn your financial situation around, you won't have the money necessary to get the proper healing and treatment, so your conditions will get worse and worse.

I myself wound up with a kidney stone and abdominal pains that landed me in the emergency room.

Even with insurance, I couldn't pay the bill and it ended up destroying my credit to the point where I became unlendable.

The final consequence of all this is that you can wind up sick, lonely and poor with chronic health conditions you can't afford to address.

And this can only go on for so long before you begin to hate yourself and question why you ever decided to choose music as your path.

My friend, this is not a fate you want.

I've been down this road myself and I am telling you, the price you will pay for failing to properly address the issue of marketing and sales in your music career is incalculable.

You'll never get your time back and you don't want to wind up with regrets.

But the reality is that if you don't change the way you are attempting to monetize your music and learn a more effective way to do it, it is INEVITABLE.

Now, I want you to pause for a moment and imagine a different reality.

Imagine having a simple way to market your music and your name that actually works and gets you a return on your investment through the sale of your music and branded merchandise directly to your fans with no middlemen in between taking big cuts of your revenue.

Imagine waking up to witness your fanbase growing steadily every single day in a way you can track and measure.

Imagine checking your inbox to see it flooded with messages from people who love your music and want more.

Imagine being excited and overjoyed with the number of new fans you're winning over every single day and you know if you can keep this up, you'll eventually reach your goals.

Imagine no longer being worried about never figuring out how to grow your music career sustainably because you're actually doing it and it's getting better and better every single day!

Well, I want you to know that all of this and more IS possible.

Not only is it possible, but I've made it happen for myself and helped many other artists achieve a level of growth and branded merchandise sales they never thought possible.

I personally went from getting paid nothing to play tiny shows in the middle of the woods to getting paid $1,000 or more per show, selling CDs for $35 apiece and selling flash drives with my whole discography for $100 apiece at shows and online.

And since then, I've helped many other artsts achieve a level of growth and bradned merchandise sales they never thought possible.

In the middle of Covid when live shows weren't possible, I helped country and western singer/songwriter Dave Stamey sell $52,384 worth of merchandise online using email and Facebook ads.

I helped electronic music producer Kalya Scintilla who runs the record label Merkaba Music go from making about $2,000 a month in royalties to making $15,368 in two months selling flash drives.

And I helped my father Michael Martin Murphey go from making only about 30 online merchandise sales per month through his website to selling 4,112 albums on CD and $47,973 worth of merchandise online in a single week!

How is it possible to go from...

...being stuck and sad about the fact that your fanbase isn't growing and you haven't been getting anywhere for years to...

...being overjoyed and excited to see that new people are not only discovering your music and loving it, but they're actually buying your music and branded merchandise?

The whole path is mapped out for you in the Fanbase Explosion book!

The Fanbase Explosion book is a digital-only 150-page PDF that breaks down the 8-step process you must go through in order to bypass the traditional music industry and build your own sustainable, high-performing direct music and merch marketing system that YOU control 100%!

This system has been rigorously tested and has resulted so far in over $233,876 in music and branded merchandise sold online.

It works!

So if you want to avoid the frustration of trying to build your career on outdated strategies and misguided tactics that just don't work, you need to get this book and read it cover to cover.

Because what Apple Music, Spotify, the distributors and virtually every music industry middleman doesn't want you to know is that there's a stupid simple way to get new listeners who are highly likely to become instant fans and even buyers of your music using a certain type of Facebook ad.

When I tried this new method of marketing my music, I got a return on my investment in 25 days and only spent $60 on ads!

I also learned SO MUCH about who my ideal fan is and what I need to tell them to get them to listen to my music and buy my branded merchandise.

Once you crack this, you're going to wonder why in the world you thought that all that complicated, convoluted music marketing might work.

So stop spinning your wheels in the mud and finally get some traction by reading Fanbase Explosion.

I guarantee that it will completely change the way you see the music industry and get you on the most direct route to musical success.

How is it possible to compete with major record labels and streaming platforms as an independent artist using the methods in Fanbase Explosion?

It's simple - the business models of record labels, distribution, online stores and streaming platforms were never designed to benefit artists.

If you simply bypass them all and market directly to new potential fans, you stand to make a much larger chunk of income because you aren't surrendering massive percentages of your revenue to entities that don't really help you get customers for yourself.

This advantage allows you to harness the power of advertising to build your own audience on your own platform.

Once you are able to convert a large enough percentage of your audience into customers, the ads you run can pay for themselves many times over, allowing you to reinvest your profits and create a Fan Feedback Loop that rapidly grows your audience in an automated way.

I've been burned before by people claiming to be music marketing professionals. Why should I trust you?

Fanbase Explosion is not a methodology designed by music industry middlemen looking to make a quick buck off of you, promising the world but delivering little but hot air and vanity social media metrics you can't pay your bills with like likes, plays and followers.

It's not a service and it's not about getting press, exposure, prestige, or any of the things that you might think will help you but rarely end up actualy helping you.

I developed it because I am an artist myself who struggled for decades to find a no-nonsense online marketing method that actually works for driving sales and getting customers.

I stand behind this claim with my F-Bomb Guarantee (explained below).

There is no risk to try it out.

If you're not happy with the information you get, simply request a refund via email within 14 days and I'll happily return your money.

You could easily spend a thousand times the cost of this book on publicity services or other kinds of music marketing scheme and wind up even more confused and disappointed with little to no results to show for it.

Not so with Fanbase Explosion!

You won't find this quality of comprehensive information anywhere else in the entire music industry.

What if I don't have enough money to run ads?

Running ads is not expensive in the beginning and can be better than free once they gain traction and start producing sales.

We test audiences out at $1 per day each to find out how well they work.

We only increase the budgets of ads that produce a return.

If you aren't wiling to risk $1 to $3 per day on ads to find potential new fans and customers, then Fanbase Explosion is not for you.

It doesn't teach "organic" social media marketing tactics or strategies. It's all about paid traffic because that's what allows you to create the Fan Feedback Loop and grow your fanbase rapidly without spending a ton of time doing grueling manual labor on social media platforms.

Grinding away on organic strategies can burn you out and take too much time away from making music, performing, or enjoy life with your family because you're trading time for money.

That said, you still need some cash to run ads so if you're really hurting that bad financially, don't buy the book!

Get a job first so you have enough money to run your initial ad tests and optimize your conversions without worrying about going broke.

Fanbase Explosion is not for "starving artists" who won't stand in their value and aren't even resourceful enough to make small investments into growing their careers.

What if I'm talented but I don't have enough fans yet or I don't know how to monetize my fanbase?

Fanbase Explosion was written specifically for driven artists who either don't have enough fans or who don't know how to monetize their fanbase effectively.

If that's you, you will benefit immensely from reading the book.

Does the book cover how to succeed on Spotify?

No. As you will come to understand from reading the book, I do not recommend you base your career growth on getting royalties from Spotify plays.

While it is possible to eventually get sizable royalty checks by focusing on streaming, the problem with this approach is that you're essentially just building other people's businesses instead of your own.

There is a better, faster way that pays you orders of magntiude more in the long run than using traditional methods involving distribution services, broadcasting, royalties and licensing.

Most musicians have no idea that this better, faster way even exists.

This far superior way of building a music career is exactly what I explain in this book and it has very little to do with using any streaming platforms.

What if I'm not interested in making money with music and I'm just a hobbyist? Will this method still work?

No. Fanbase Explosion is only for musicians who want to become true professionals, not hobbyists or amateurs.

This means building a functional business with paying customers instead of doing it just to have fun, become an object of attention or "sharing the love" but generating no significant income.

There is nothing wrong with being a hobbyist or an amateur, but if you want to become a professional, you need an effective business model.

Most musicians are completely unable to support themselves and their families with their music alone because they don't have the right business model.

Acquiring customers is what Fanbase Explosion is all about.

You can't expect to make anything resembling a full-time income with music unless you build a legitamate business around your music and that isn't going to happen just with talent or by accident.

You need marketable products and systems that can get you fans and customers to be in control of your music career.

If I enjoy the book and want help implementing the strategy, is there a way to work with you in a deeper capacity?

Yes. There are several ways you can work with me in a deeper capacity, depending on your situation.

There are multiple courses I offer that cover how to execute all the little nitty-gritty technical details of how to build the automated digital marketing systems that the book talks about.

Some of these courses include group coaching video calls where you can share your screen interact with me in real time over recorded Zoom calls and get questions answered or help with technical challenges you may run into as you implement.

However, I no longer offer done-for-you services, so if you're looking for the equivalent of a record label service or marketing agency, I'm not your guy.

I train musicians and empower them to succeed. I don't do their marketing for them.

I stand 100% behind this book and I am so confident that it will help you immensely that I am willing to take on ALL the risk so you don't have to risk a dime.

If you get the book, read it, and find yourself unhappy with the quality of the information presented within it, you can get a full refund within 14 days of purchase simply by sending me an email telling me to go F myself. I will promptly send you your money back and you can keep the book as a token of my appreciation for giving it a shot.

While there are plenty of books out there about the music industry, most of them are dreadfully dry and boring.

Few of them explain how to actually acquire customers.

And NONE of them explain how to create the Fan Feedback Loop that grows your fanbase quickly and in an automated way with a simple system that runs itself around the clock.

Instead, they focus on tangential issues like copyright, royalties, distribution, contracts, agents, managers, licensing, organic social media, and all kinds of annoying, complex, and frankly irrelevant topics that don't even matter unless you can get customers.

Why are these topics irrelevant? How can I possibly make that claim?

Because without customers and a system to acquire more of them reliably, you're not even really in the music business because you don't have a functional business.

Instead, you have an expensive hobby that's unlikely to ever turn into a career because of the high costs involved in buying instruments, buyng gear, getting professional services and producing records when you actually have no idea how to get paying customers.

The Fan Feedback Loop explained in Fanbase Explosion is without question the most powerful mechanism for growing a fanbase that has ever been developed in the history of music.

I know that's a very big claim, but I stand 100% behind it with my F-Bomb Guarantee.